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F. Brewing a rag-toothed vodka from birch bark and
tortoise-eyes, many times my father and I have sipped
skipping among the watercress and paper cranes, his
beard full of rosemary, familiar vines and pinpricks
of blue. His skin was once rough against my cheek as
he poured out the clear glasses, as he taught me to
seduce the crocodiles. (And perhaps it was all in
preparation for you, for I chose you out of all the
world to streak your face in silt and suckle at the
wounds I have made in your flesh.) I opened my mouth,
once, oh, once under stars like swamp gas and cyanide,
to the sky at his side and we paint our faces with
mangled salamanders. His voice snarled a swarm of bees
into my hair, dragging me through the turtle-palaces
with my smile full of blood.
I can feel the tense of your arm on my waist, I can
feel our paces beating black the earth. The blessing
of a growling night sears as in a pouting yearn I
close myself from the blinding lime trees and their
attendant cobras, clutch my ears to escape your
howling navel and scream happily in a house of wattle
and peppermint. So in a hat askance smirk I live in
the cracks of teeth and pick the remnants of roast
dove from the white, white earth.
Glimmer and rag and Charleston down the cobbling
road, Romany braids and a red scarf flapping like a
rotund wing. And why two-step when there is eight,
sixteen, thirty-two? Dance, dance , in your little red
shoes. Dance until your bones show through and your
heels crack.
Why paint a path down my sternum leading all the way
to womb in tempura, in egg-paint, in salivating gold
if you cannot touch it or me though your hand comes
through a curtain of elephant eyes? When you do not
have the strength to reach so far? All this I do for
you and yet your hand does not extend. But all manner
of things will be well, I shall remain your
black-haired mistress of juggling fire, leather-clad
and laughing like an accordion. I sleep beneath a
bottle of ether like raspberry cordial, all swimming
and oily and sweet. Drink me, drink me, drink me and
my lips will be on yours like a licorice vise. Smile
under me, pretty, the smile of a thousand horsemen on
the steppes, of swords and bucklers and
drinking-horns, your Middle-English grin and my
Vernacular Tongue.
Jailbars slap secular breasts like slabs of stone and
from the sky hoarfrost beats down on grass like a
giraffe's thumb. Up, up, up, and the eucalyptus is
tickling behind my ear, tannic and bright, lisping
night and its yellow beard all brambled with stars. Is
that you whispering or do I simply want it to be, want
you to have learned by now your first verb, your first
participle, your first holy noun? Why still are you
silent as though your lips were burned away? Cry out,
child, give me your kinetic stanzas of maple breath,
birch-bark and willow wands wrapping the muscular
tongue, the prizefighter tongue, the fifteenth-round
bloodied. But it is not so, it is not. You are still
and shivering, poor lamb. Open wide, open that pearled
mouth, give me your sweating teeth. Beautiful
Messenger, messenger, with jasper-gold feet, heavy on
the clouds like an apple corer, punching heaven with
your heels, bring me a cluster of vervain for my blood
pressure, and ginger root for my kidneys. Bring me
chamomile tea for my throat, sweet one, and I will
swallow you whole.
Enter the watchtower quiet as murdered mice, step on
the stairs with gobbling feet, greedy mouths in our
soles, eating the rock like chunks of cheese. Follow,
follow, if you can, and breathe the acetylene fog.
Come! Come! Come! Hop! Skip! Jump!
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